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	<title>Comments on: Millie Niss</title>
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	<description>exploring digital poetry and electronic literature</description>
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		<title>By: Christine Wilks</title>
		<link>http://netpoetic.com/2010/02/millie-niss/comment-page-1/#comment-402</link>
		<dc:creator>Christine Wilks</dc:creator>
		<pubDate>Thu, 11 Feb 2010 15:21:59 +0000</pubDate>
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		<description>Thanks for this, Jim, I wasn&#039;t aware of all the trials Millie endured. It&#039;s important, as you say, to offer a number of angles from which to view her life and work - the 111 photos is, indeed, a powerful one.</description>
		<content:encoded><![CDATA[<p>Thanks for this, Jim, I wasn&#8217;t aware of all the trials Millie endured. It&#8217;s important, as you say, to offer a number of angles from which to view her life and work &#8211; the 111 photos is, indeed, a powerful one.</p>
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		<title>By: Jim Andrews</title>
		<link>http://netpoetic.com/2010/02/millie-niss/comment-page-1/#comment-401</link>
		<dc:creator>Jim Andrews</dc:creator>
		<pubDate>Wed, 10 Feb 2010 08:02:13 +0000</pubDate>
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		<description>Yes, the photos and notes for them that Martha put together are helpful to people who knew Millie. I found them so, for me, and that&#039;s the sort of feedback I&#039;ve been getting from other people. The pictures and their ordering help us meditate on Millie and her life.

I&#039;d read your excellent piece about her work  when I started this. That was really good concerning her work and its relation to her life. And it helped me revisit her work. I think you have done Millie and her work a great service with that writing, Edward. I&#039;m sure others will find it as truly helpful as I did. 

Between Millie&#039;s work itself, your writing about her work, this look at her life, mainly, and the other links, people have a few angles from which to view the life and work of Millie Niss.

I&#039;m sure there will be more writing by others. I&#039;ll add links as I come across them.

The longest gap in the pictures is between the first picture of Spork, which is from 2000, and the previous picture, which is from 1994. From when she was 21 till she was 27.</description>
		<content:encoded><![CDATA[<p>Yes, the photos and notes for them that Martha put together are helpful to people who knew Millie. I found them so, for me, and that&#8217;s the sort of feedback I&#8217;ve been getting from other people. The pictures and their ordering help us meditate on Millie and her life.</p>
<p>I&#8217;d read your excellent piece about her work  when I started this. That was really good concerning her work and its relation to her life. And it helped me revisit her work. I think you have done Millie and her work a great service with that writing, Edward. I&#8217;m sure others will find it as truly helpful as I did. </p>
<p>Between Millie&#8217;s work itself, your writing about her work, this look at her life, mainly, and the other links, people have a few angles from which to view the life and work of Millie Niss.</p>
<p>I&#8217;m sure there will be more writing by others. I&#8217;ll add links as I come across them.</p>
<p>The longest gap in the pictures is between the first picture of Spork, which is from 2000, and the previous picture, which is from 1994. From when she was 21 till she was 27.</p>
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		<title>By: Edward Picot</title>
		<link>http://netpoetic.com/2010/02/millie-niss/comment-page-1/#comment-400</link>
		<dc:creator>Edward Picot</dc:creator>
		<pubDate>Tue, 09 Feb 2010 18:08:43 +0000</pubDate>
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		<description>That&#039;s a nice tribute, Jim, and a really useful resource for people who want to find out more about Millie and her work. The 111 photos are particularly powerful, I think.</description>
		<content:encoded><![CDATA[<p>That&#8217;s a nice tribute, Jim, and a really useful resource for people who want to find out more about Millie and her work. The 111 photos are particularly powerful, I think.</p>
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