[new clues/images up at #feralC] *prepare 2 lunge_tumble after @Miss_Stressa in2 sepia+lead_grey terraced bunnyholes* http://netwurker.net/

[LET THEM EAT CACHE] [currently on #feralC]: @QReada does indeed go “feral” + starts spouting cryptic comms: “[THE WROTE WRITES ROTTINGS ON THE WALL]” + “[LARGE CHARCOAL BLACK DOG WITH SNOW WHITE SAND OOZING EYES]” + “[LET THEM EAT CACHE]” + “[SMALL SUEDE TAN CAT WITH SANDPAPER CLAWS]” etc… @pupa_mistress warns @QReada 2 stop but [...]

[...over in #feralC Twitterland theres lots-a-foamin': @Miss_Stressa is incommunicado. @HUD_B is trying to help @QReada + has worked out how to decipher his/her QR code(s). @shadowmcclone is taciturn as usual. @gossama game chats 2 Shane Hinton and is concerned about the absence of @Miss_Stressa. @jr_carpenter also chats to @gossama about her suspicions that @Miss_Stressa may [...]

Announcing: _feralC_ – A Socumentary _feralC_ is a socumentary* which is textually driven by the interactions of five Twitter chars [primary characters or entities] and their Pupa Mistress (PM). The PM initially functions as a Twitter based information hub for the interactions between the chars and other contributing entities (such as yourself). These additional contributing [...]

Here is the author’s description: “The Longest Poem in the World is composed by aggregating real-time public twitter updates and selecting those that rhyme. It is constantly growing at ~4000 verses / day. You can see more verses by clicking the three dots at the bottom (• • •) Made by Andrei Gheorghe.” It’s interesting [...]

For this third in a series of ten posts on digital literature, I asked myself, as one would interrogate a terror suspect, Why do you write digital literature? At first, I choked (it was a kind of psychic water boarding), and then I came up with this…. (1) Because I like it. I like the [...]

Just a short info on interesting conference in Canada (February 18, 2010 – February 21, 2010): In(ter)ventions, Literary Practice At The Edge: A Gathering. In(ter)ventions will explore the edges of literature, where technology, innovation, and literary practice meet. There is also open call for papers (deadline Oct. 15, 2009).